Curated by Danish artist and photographer Kasper Bergholt in collaboration with the Copenhagen Chronotopes Art Gallery, this international sub-exhibition invites visual artists working in both digital and physical mediums to explore poetic, dream-infused spaces at the intersection of technology and imagination.

Inspired by Nick Cave’s 2024 song Cinnamon Horses, the curatorial theme evokes ethereal worlds: horses that dance beneath strawberry moons, wander castle ruins, and emerge in turpentine trees.

These surreal visions serve as a launching point for the exhibition’s central question:

“What happens when AI dances, strolls, is found?”

Participating artists are invited to respond through still images, be it a single artwork or a cohesive series of up to six. All image-making techniques are welcome: from photography, painting, and mixed media to generative art, graffiti, calligraphy, and more.

Participating artists are invited to respond through still images, be it a single artwork or a cohesive series of up to six. All image-making techniques are welcome: from photography, painting, and mixed media to generative art, graffiti, calligraphy, and more.

The Wrong Biennale is an independent, non-profit, multicultural, decentralized, and collaborative art biennial created to showcase digital art to a global audience, and now grown into a massive international community and a reference in the digital art scene.