Shot, Drawn, Printed

Shot, Drawn, Printed approaches the iconographic and the sentimental, the propagandistic and the personal, while deconstructing various modes of historical representation.  The tension between these separate but related approaches is introduced through a juxtaposing of personal family portraits with memorable images and descriptions of political history. From the original photograph, to the stylized drawing, to the reversed printed image, I aim to express the dissonance that exists between an event and its documentation.