These perceptual paintings emerged from the simple fact that the visual world is in a constant state of flux; proportions are never static. As someone who works strictly from direct observation or drawings done from observation, I have had to find ways to deal with the problem of movement. These abstractions investagate the way ...
Over the past year I have been exploring the process of taking in and ordering visual information as a means to make compositions. When I am drawing I am focusing on small clusters or individual shapes at a time. Due to my head moving, and every thing else moving, including my thoughts, the information that I gather tends to be recorded in different proportions, leading to a fragmented version of real space. The paintings are build from many different drawings, and proceed as the drawings do from real life. So there is a constant filtering going on between what I visually saw, and what I visually... [Read More]
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