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2007
URBAN SPACE, Rio de Janeiro; New Life Shop, Berlin, Germany; FOTOPUB, Slovenia; FOTO ARTE, Brasilia
Drawn and Quartered, Like the Spice, Brooklyn, NY
Free Play, Islip Museum, Islip, NY
Under One Roof Again, Everson Art Museum, Syracuse, NY
Dangerous Women, Mercer Co Community College, Trenton, NJ
Salon de Expace, About Glamour, Brooklyn, NY
Tribes Gallery, group show curated by Robert Storr, NY, NY
HOME show, Kunstfort in Vijfhuizen, the Netherlands
Booked, ABC No Rio, NYC, NY
Street Art Show, Pure Projects, NYC
One Foot Show, Art Gotham, NYC
Pink Show, c/o LA Art Girls, Santa Monica Airport
2006
Peekskill Project, collaborative installation, Peekskill, NY
New ’06, Nurturing the Edge, Nurture Art, Brooklyn, NY
Palettes of Vermont, Precision Museum, Windsor, VT
Works on Paper, Flux Factory, Long Island City, NY
2005
The Matzo Files, Streit's Matzo Factory, New York, New York
Visual Aids, Robert Miller Gallery, NY, NY
2004
Connections, The Iron Monkey, Jersey City, New Jersey
Sculpture With Style, Grounds For Sculpture, Hamilton, New Jersey
Under One Roof, Soho 20, New York, New York
2003
5th International Biennial, A.I.R. Gallery, New York, New York
Points of View, online exhibit, www.ducts.org
2002
Everson Biennial, Everson Museum, Syracuse, New York
MFA Exhibition, Lowe Art Gallery, Syracuse, New York
Sally, Benjamin, and Rose, Spark Gallery, Syracuse, New York
2001
Works on Paper, Traveling Exhibition to US Universities
Mud, Stone Park Art Quarry, Cazenovia, New York
2000
Serious Play, Adambomb Gallery, Milwaukee, WI
Hall Walls, Hall Walls Contemporary Art Facility, Buffalo, NY
1999
Ellarslie Open XV11, Trenton Art Museum, Trenton, New Jersey
Experiential, solo exhibition, Johnson Atelier, Mercerville, New Jersey
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Tyler School of Art, Temple Un iversity |
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1999
Experiential, solo exhibition, Johnson Atelier, Mercerville, New Jersey |
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Chashama Studio Residency Program |
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collaborative installation - Peeekskill NY |
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Crannonballs incorporates the history of Peeksill NY, the birth place of the Crayola Crayon, and it's historic ties to the Revolutionary war in an installation which covered the entire town. Our team of four, Christopher Frederick, Cindy Moore, Mark Stockton, and I made hundreds of cannon balls from crayon wax and embedded them in various locations throughout the city. The main focus of the installation was a pile of wax cannonballs placed next to the original cannon which fired the shots that lead to the British capture. |
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2004 How Not To Greet Celebrities, book cover |
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almost all technical processes of sculptural execution including metal work and mould making in addition to sewing, wood working, and growing computer knowledge. |
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