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30 Days of New Life Berlin: Kirsten Pieroth |
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b.1 January, 1970 |
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GERMANY |
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From Klosterfelde:
Kirsten Pieroth's artistic method draws on appropriartion and displacement, inflicting subtle manipula-tions on everyday objects and situations to suggest a variety of possible readings.
In 2001, for example, she pumped a Berlin street puddle into water canisters and relocated the puddle in Albania by pouring the water out in an exhibition space of the First Tirana Biennial. For another work en-titled Dead Ant (2005), Pieroth used a Penguin edition of The Adventures of Sherlock Holmes to squash an ant with the back cover of the book. Detective Story presents another humour-tinged inversion on de-tection: two Braille books, identical in format, cover and title that require a blind reader to spot that they do not contain the same story. (comp: 'Objet à Part' catalogue, 2006) |
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Staatliche Hochschule für Bildende Künste |
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2006
display, Prague (CZ)
2005
Cubitt, (with Henrik Olesen), London (GB)
Secession, Vienna (A)
2004
Contemporary Art Gallery, Vancouver, CAN
2003
Klosterfelde, Berlin
2002
Mellemdækket Projektrum, Charlottenborg Udstillingsbygning, Copenhagen (cat.)
"There are two temperatures: one outside, one inside"
Kirsten Pieroth/Henrik Olesen, Galleria Franco Noero, Torino, I
2001
Helga Maria Klosterfelde, Hamburg
Sparwasser HQ, Berlin (with Kirstine Roepstorff)
2000
Klosterfelde, Berlin
rraum, Frankfurt/M.
1998
Projektraum Daimlerstraße (with Anke Weyer), Frankfurt/M.
1996
rraum, Frankfurt/M.
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2007
Made in Germany, Sprengel Museum Hannover, Kestnergesellschaft und der Kunstverein Hannover, Hannover, (D) (upcoming)
Learn to Read (curated by Vincent Honoré and Maeve Polkinhorn), Level 2 Gallery, Tate Modern, London
(UK) (upcoming)
Conditions of Display (curated by Gean Moreno), The Moore Space, Miami (USA) (upcoming)
Door Slamming Festival (curated by Dominic Eichler), Berlin (D)
Société Anonyme (curated by Vitek Havránek), Le Plateau/ Frac Ile-de-France, Paris (F)
Absent Without Leave, Victoria Miro Gallery, London (UK)
Tricky, Galeria Estrany De La Mota, Barcelona (ES)
Elephant Cemetery (curated by Christian Rattemayer), Artists Space, New York (USA)
2006
Subito sera, Zero Galeria, Milan (I)
Slapstick in Contemporary Video (curated by Jörg Heiser), Screening/ Theater Hebbel Am Ufer, Berlin (D)
When the Moon Shines on the Moonshine, The Breeder, Athens (GR)
Auflösung III - Entgrenzung, RealismusStudio, Neue Gesellschaft für bildende Kunst e.V., Berlin (D) [cat.]
The Show will Be Open When the Show Will be Closed, curated by Adam Carr, STORE, London (UK)
on the move verkehrskultur II (curated by Anja Casser), Westfälischer Kunstverein, Münster (D)
Objet À Part (curated by Bettina Klein), Centre d’art contemporain, Noisy-le-Sec (F)
Poor Man’s Expression (curated by Florian Zeyfang & Martin Ebner), Arsenal, Artrium Berlin (D)
Wrong (curated by Jens Hoffmann) Klosterfelde (Linienstrasse), Berlin (D)
2005
No Competitive Offers, Artis, Hertogenbosch (NL)
Information/Transformation, Extra City - Center for Contemporary Art, Antwerpen (B)
Not a Drop but the Fall, curated by Elmgreen & Dragset, Künstlerhaus Bremen, Bremen (D) [cat.]
En Route: Via Another Route, curated by Adam Carr, Projekt in der Transsibirischen Eisenbahn
The Need to Document, Kunsthaus Baselland, Basel (CH) [cat.]
2004
"Beuys don`t cry", Galleria Zero, Milan, I Manifesta 5, Donostia / San Sebastian (cat.), ES "Socle du Monde Biennale", Kunstmuseum Herning, Herning, DK (cat.) "Tätig Sein", Neue Gesellschaft für Bildende Kunst, Berlin, D (cat.) "This much is certain", Royal College of Arts, London, GB, (cat.) "Cremers Haufen. Alltag, Prozesse, Handlungen: Kunst der 60er Jahre und Heute", Westfälisches Landesmuseum, Münster, D (cat.) "Mix Max", Artsonje Center, Seoul, Korea "Side Effects", Museum of Contemporary Art, Belgrad (cat.) "Prisma", Raum aktueller Kunst Martin Janda, Wien, A
2003
"Adorno", Kunstverein Frankfurt/Main (cat.) (upcoming)
"SPECTACULAR: The Art of Action. A Program on Performance and the Art Institution", curated by Jens Hoffmann, Museum Kunstpalast, Düsseldorf, D
"Global Navigation System", Palais de Tokyo, Paris, F (cat.)
"Open Studio Project", Townhouse Gallery, Cairo (cat.)
"Frankenstein", Tanya Bonakdar Gallery, NY
"GNS", Palais de Tokyo, Paris (cat.)
"Utopia Station", Biennale Venedig
2002
"Haunted by Detail", De Appel, Film Programme at Filmmuseum Amsterdam (cat.)
"The Berlin Files", Dechiara Gallery, New York, NY
2001
"retur", Kopenhagen, organised by Jacob Fabricius
Tirana Biennale 1, Tirana, Albanien (cat.)
"Efterarsudstillingen 2001", Charlottenborg Udstillingsbygning, Copenhagen
2000
IASPIS Galleriet, Stockholm
1999
"Ausdruck und Sinnbild", Phantombüro, Frankfurt/M.
"OTTO hat Besuch", Ausstellungsraum OTTO, Kopenhagen
c/o Rathenaustraße, Offenbach/M.
1998
"Stuttgart, 17.7.1956 – Salem (Wis.)/USA, 3.3.1977",
Portikus, Frankfurt/M. (cat.)
1997
Internationale Buchmesse, Frankfurt/M.
"Downtown", Städelsches Kunstinstitut, Frankfurt/M. (cat.)
1996
"Sommerpause", Kunstverein Offenbach, Offenbach/M.
1995
"Wir begegnen uns nicht zufällig", Haus am Lützowplatz, Berlin |
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